Biography of Vishnu Vāman Shirwādkar, lifestyle and Vishnu Vāman Shirwādkar,

Biography Vishnu Vāman Shirwādkar

Vāman Shirwādkar (27 February 1912-20 March 1999), prominently known by his pseudonym, Kusumāgraj, otherwise called Vi. Vā. Shirwadkar, was a prominent Marathi artist, dramatist, author, short story essayist, aside from being a humanist, who composed of opportunity, equity and liberation of the deprived,[1] In a vocation spreading over five decades beginning in pre-autonomy time, he composed 16 volumes of ballads, three books, eight volumes of short stories, seven volumes of articles, 18 plays and six one-act plays.His works like the Vishakha (1942), an assortment of verses, roused an age into the Indian opportunity development, and is today viewed as one of the perfect works of art of Indian literature,apart from his play, Natsamrat, which has a significant spot in Marathi writing. He was the beneficiary of a few State grants, and National honors including the 1974 Sahitya Akademi Award in Marathi for Natsamrat, Padma Bhushan (1991) and the Jnanapith Award in 1987; he likewise filled in as the President of the Akhil Bharatiya Marathi Sahitya Sammelan held at Margao In 1964.

LIFESTYLE AND QUALIFICATION

Shirwādkar was naturally introduced to a Deshastha Brahmin family in Pune on 27 February 1912 as Gajanan Ranganath Shirwadkar. After being embraced, his name was changed to Vishnu Waman Shirwadkar. He later embraced the sobriquet 'Kusumagraj'. He sought after his essential training in Pimpalgaon and secondary school instruction in the New English School of Nashik, which is currently called J.S. Rungtha High School of Nashik. He passed registration from Mumbai University. In 1944, he wedded Manoramanée (Gangubai Sonawni). He is associated with Rajaram school Kolhapur.

In 1933, Shirwadkar built up the Dhruv Mandal and began writing in a paper called Nava Manu . Around the same time, his first assortment of lyrics, Jeevanlahari, was distributed. In 1934, Shirwadkar got a Bachelor of Arts degree in Marathi and English dialects, from the H. P. T. School in Nashik.
Shirwadkar joined Godavari Cinetone Ltd. in 1936 and composed the screenplay for the film Sati Sulochana . He likewise acted in the motion picture as Lord Lakshmana.However, the film neglected to be a triumph.
He later functioned as a columnist. He wrote in periodicals, for example, Saptahik Prabha, Dainik Prabhat, Saarathi , Dhanurdari , and Navayug . 1942 was a defining moment in the profession of Kusumagraj, as the dad figure of Marathi writing, Vishnu Sakharam Khandekar, distributed Kusumgraj's accumulation of verse, Vishakha at his own cost, and in his prelude depicting Kusumagraj as a writer of mankind, expressed, "His words show the social discontent yet hold the hopeful conviction that the old world was offering route to another one.Its production matched with the Quit India Movement, and conveyed the message of opportunity and remained against subjection, and soon its words got mainstream with youngsters and ladies; in time it was to turn into his enduring inheritance to Indian writing.

While irritably he went from antisocial to select, he had a sharp social sense and advocated the reason for the oppressed without including himself in ground level exercises. In 1950, he established the Lokahitawādi Mandal (लोकहितवादी; association for social great) in Nashik which is still in presence. He likewise altered certain scholastic reading material for school students.[9]

Be that as it may, Kusumagraj's principle specialty was as an artist and essayist. In 1954, he adjusted Shakespeare's Macbeth as Rajmukut (राजमुकुट), 'The Royal Crown' to Marathi. It featured Nanasaheb Phatak and Durga Khote (Lady Macbeth). He additionally adjusted Othello in 1960.[16] He likewise filled in as a lyricist in Marathi cinema.[17]

His work mirrored the changing social milieu, from being the impression of national uprising during Indian opportunity battle and in the post-autonomy period it got soaks into rising social-cognizance among Marathi essayists, which denoted the coming of current Dalit literature.

Award achive Vāman Shirwādkar

To respect his work in Marathi Literature, consistently the birthday of Kusumagraj, 27 February, is praised as "Marathi Bhasha Din"

1960 - President of Mumbai Marathi Granth Sangrahalay yearly capacity

1960 - State Govt. for Marathi Mati

1962 - State Govt. for Swagat 

1964 - State Govt. for Himresha

1964 - President of Akhil Bharatiya Marathi Sahitya Sammelan, Margao, Goa

1965 - Ram Ganesh Gadkari Award 1965 by All India Nātya Parishad

1966 - State Govt. for the play Yayati ani Devyani

1967 - State Govt. for the play Vij mhanali Dhartila

1970 - President of Marathi Natya Sammelan, Kolhapur

1971 - State Govt. for the play Natsamrat

1974 - Sahitya Akademi Award 1974 for his composition of the play Natsamrat, an adjustment of King Lear

1985 - Ram Ganesh Gadkari Award from Akhil Bhartiya Natya Parishad

1986 - The privileged level of D.Litt. by Pune University

1987 - Jnanpith Award — a renowned abstract honor in India, in acknowledgment of his scholarly accomplishments

1988 - Sangeet Nātya Lekhan Award

1989 - President — Jagtik Marathi Parishad, Mumbai

1991 - Padmabhushan grant in the field of Literature and Education by the then President of India - R. Venkataraman.

1996 - A star named as "Kusumagraj" in the cosmic system

One-act plays

Diwāni Dāwā

Dewāche Ghar

Prakāshi Dāre

Sangharsh

Bet

Natak Basat Āhe Āni Itar Ekānkikā

Novels

Waishnawa

Jānhawi

Kalpanechyā Teerāwar

The interpretation of Meghadūta by Kusumagraj was pictured by watercolor craftsman Nana Joshi. These perceptions were distributed in the Menaka Diwali issue in 1979.Natsamrat, a play composed by V.V. Shirwadkar for which he won a few awards, was likewise adjusted on screen by executive Mahesh Manjrekar with veteran entertainer Nana Patekar as 'Natsamrat' after effective runs of the play's theater adjustments.